Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Carl Tragardh
Svenska: Pastoralt landskap med kor

ID: 84793

Carl Tragardh Svenska: Pastoralt landskap med kor
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Carl Tragardh Svenska: Pastoralt landskap med kor


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Carl Tragardh

(20 September 1861 - 5 June 1899) was a Swedish painter. Trägårdh studied at the Royal Swedish Academy of Arts in Stockholm 1881-1883, in Karlsruhe 1883-84, and Munich until 1885. He then moved to France where he became a resident until his death. He exhibited both in Sweden and in France. He received a couple of medals and found a patron in the French singer and art collector Jean-Baptiste Faure (1830 - 1914) who bought some 40 paintings by him. His production is often landscape with grazing cattle, usually cows or sheep.   Related Paintings of Carl Tragardh :. | The Three Graces dg | Arab or Arabic people and life. Orientalism oil paintings 387 | Strabe to be newly designed in Berlin-Wilmersdorf | The Adoration of the Shepherds (detail) | palatset saint cloud |
Related Artists:
Jan van der Straet
painted Vanity, Modesty and Death in 1569
Giovanni Battista Recco
Italian, 1615-1660
FONTANA, Lavinia
Italian Painter, 1552-1614 Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs






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